Tuesday, November 16, 2010

A Haven for my Soul

I'm a firm believer in havens. Everyone should have a space he or she can retreat to, where almost nothing is out of place, no door ajar, where there are no distractions to prevent complete relaxation, comfort and ease.

Last night as I sat down in the Cleveland Orchestra Chorus rehearsal space at Fairmount Temple in Beachwood, and as our assistant conductor launched us into our stretches and warmups, and then into the music for the upcoming Holiday Movie Magic concert, I felt my soul relax into its haven.

My life has been incredibly busy lately. A week of managing my grandchildren's schedule while simultaneously juggling all my normal work duties and musical rehearsals nearly "done me in." And a slowdown isn't really in sight until after the final COC holiday performance on December 19th. I need a space and a time to slow down, to let everything else go for a short period of time.

Last night's rehearsal was that time, that space.

When a COC member walks into a rehearsal, she knows exactly what is expected. She knows that while the chorus is warming up and preparing to sing, no latecomer will walk through the rows to disrupt the concentration on preparing for proper vocal technique. She knows all cell phones will be off—not to ring, not to ping an incoming text, not to be referred to until the conductor takes a mid-rehearsal break. She knows exactly what music will be practiced, and she knows she was expected to practice that music at home—to read through the music so that there are no surprises, and to listen to the study recordings provided by the COC management. She knows the singers around her will not disturb her with idle chatter. She knows all members will treat the conductor and the accompanist with the ultimate respect of sitting quietly until it's their turn to sing.

That's just how it's done.

But even more importantly, she knows the pace of the rehearsal has been very well thought-out. The repertoire has been chosen to be suitable for the talent and skill of the singers in the organization, as have the singers been chosen to suit the calibre of performances produced by the Cleveland Orchestra. The music is challenging so that we all grow. If the notes themselves are not so challenging, then there's always a challenge in producing the very best in enunciation, in phrasing, in tempi—in feeling—so that we are creating and crafting a final product that will make the members of the Cleveland Orchestra proud to call us their own, and will make the audiences want to keep coming back to hear us again.

Because of the skillful manner in which the Cleveland Orchestra Chorus rehearsals are organized, each singer can drive home after the rehearsal feeling good about his performance in the rehearsal, and about himself as a singer. There is no frustration, no thought of "why am I wasting my time in this organization?". There is no wasted time. There is no wasted effort. There is a feeling of accomplishment and success.

"I was given a hard job to do, and I did it very well."

I drive over 75 minutes each way to rehearsal each week. When we're in final preparation at Severance Hall, that amount increases by 15 to 30 minutes. I have lots of time to think.

As I drive home after each rehearsal and performance, I spend a few moments tipping my virtual cap to the people who make this haven possible: First, Manager of Choruses Jill Harbaugh, and her delightful new assistant, Rachel Novak. (I've worked in orchestra management. I know who turns the wheel!) They sort music; they read hundreds of e-mails and respond quickly and politely to even the most inane question; they order meals; they keep us organized and on target. Jill and Rachel are assisted by kind-hearted volunteers who work to carry some of the load. Next, Maestro Robert Porco and his assistant conductors, Frank Bianchi and Lisa Yozviak. Then—always present, always alert; always ultra-prepared—accompanists Joela Jones and Bill Shaffer. These two pianists are simply brilliant! Finally, I ponder the kindness, generosity and respect of my fellow choristers, and strive to give back to them as good as I get from them.

These thoughts of gratitude make my drive pass quickly.

We lead a charmed life in our musical haven!

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