Okay, I like romance novels. So report me to the literature police. When I've got a nine-hour drive ahead (two-per-week every other week for the past six weeks or so), I want something that will capture my interest and keep my mind from wandering.
I was searching
Audible.com before my last trip to find something suitable for the trip, and I happened across Sherryl Woods's "Chesapeake Shores" series. Having lived in the D.C. area for roughly a third of my life, I love the Chesapeake Bay and all the little inlets that define its shore. I read and enjoyed the first book—and it met my distraction goals—so downloaded the next, and the next, and so on. I'm now on the most recent one, and I'm annoyed at my addiction.
I must say that Ms. Woods has found a formula that works for her. But sometimes it's just a tad too formulaic.
I actually wrote to her a week ago and asked, wryly, "Do you know how many times you use the adjectives 'wry' and 'wryly'?" And I received a charming response from her. Not all authors would have done that.
Here's the thing about audiobooks, at least for me: I notice patterns in writing much more when I'm listening to the book than when I'm turning the physical pages. I don't know if that is caused by the way I read—I speak the text in my mind as I'm reading. My years of working as an editor have made this bad habit hard to break. But if an author uses the same phrase repeatedly, I'm going to notice. And at some point I'm going to get annoyed.
I don't believe I've ever noticed someone speak "wryly." What sort of statement would that encompass? And, upon reflection, I don't believe she uses other adjectives for speech in the same way she uses "wryly." All of her characters are wry. No one is exempt.
And I don't think I've read one of her books that did not include that phrase. Repeatedly.
The other phrase is "more's the pity." I have
never heard anyone use that phrase. I've lived in the Florida, Wisconsin, Texas, Maryland, Virginia, D.C., Arizona, and Ohio. I've known octogenarians and agrarians and vegetarians. No one uses "more's the pity." I had to google it to figure out what it meant, and I still don't think I get it. When I mentioned this annoyance to Ms. Woods, she said she hears it "all the time." So there you go. Writers write what they hear.
I do have to talk a moment about her characters. Never—in the pages and pages of books of all genres that I've read—have I read so many characters prone to jump to erroneous conclusions. And to hold grudges. And to make assumptions that will bite them in the ass. And to refuse to communicate. One of her main characters in the series is a psychoanalyst. Can't he just please get these people into his office and tell them to grow up?!
The greatest example of this conclusion-jumping was when a young woman appeared on the family's doorstep during Thanksgiving dinner. She handed a baby to the mother of the family and told her the baby's name was the same name as the father of the family. The mother immediately assumed her husband bedded the young woman and produced another child. And she was in a snit about it for an interminable number of pages.
Just talk! Ask the question. Get the answer. Don't run off in a huff based on an assumption!
Communication is vastly underrated!!
Okay, so even with all those complaints and negative-sounding comments, I have enjoyed these books. I'm less than two hours from finishing the last book. I will read all the rest of the books she releases in this series.
But now I'm about 36 hours from my next nine-hour drive to NC. I need something to make the time fly.
Guess I'll spend a little time on Audible tomorrow and see what else pops up.
And what are you reading?
I sit in the gazebo of the nursing home with my 98yo mother and 15 other residents. Each has half of a swimming pool noodle. Teenagers from a nearby day camp are playing Noodle Ball with them, tossing balloons to them to bat back with their noodles.
